When a film’s lead character is the movie-going equivalent of nails across a chalkboard, is there any way you can enjoy it? With more substantial fare, like Rick Alverson’s Sundance debut Entertainment, the answer is yes.
The D Train, starring Jack Black, presents a peculiar artistic conundrum. Now try and imagine spending an entire movie’s run time with him. T hink about that one insufferable guy you knew in school who comments on everything you put on Facebook.
